Aeonis™ font family Designed by Erik Faulhaber in 2009 Following Generis, Aeonis is Erik Faulhaber’s second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface’s basic sans serif forms.

Buy Aeonis Extended Bold desktop font from Linotype on Fonts.com.

Aeonis Pro Bold (1 font) From Monotype Imaging. Available Licenses. Desktop (OTF) $79.00. Meet Panettone. Panettone is a sweet bread loaf, originally from Milan, which is usually served during Christmas. Of course, you could use my Panettone script for your holiday and Christmas cards. Panettone is multi-lingual and will also look great on invitations, book covers, and products that need a ...

Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports.

Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports.

Typeface designs can be the result of many influences. Erik Faulhaber’s Aeonis family has design inspirations from two sources: one obvious – and one th

Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface’s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis.

Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports.

Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports.

After Generis™, Aeonis™ is the second large family of typefaces by Erik Faulhaber. The basic Aeonis sans-serif form references Ancient Greek lapidary inscriptions from the 9th century BC. Between the poles of antiquity and modernity, a deliberate contradiction of round and rectangular forms gave way to a new and energised font: Aeonis.